Sunday, July 1, 2007


This week's instrument is....PiPa 琵琶

“琵”、“琶”是根据演奏这些乐器的右手技法而来的。
琵琶又称“批把。在古代,敲、、弹都称为鼓。当时的游牧人骑在马上好弹琵琶,因此为“马上所鼓也”。大约在魏晋时期,正式称为“琵琶”。
据史料记载,直项琵琶在中国出现得较早,秦、汉时期的“秦汉子”,是直柄圆形共鸣箱的直项琵琶(共鸣箱两面蒙皮),它是由秦末的弦鼗发展而来的。
到了公元五、六世纪随着中国与西域民族商业和文化交流的加强, 从中亚地区传入一种曲项琵琶, 当时称作 "胡琵琶"。。
中国古代诗词中有大量的记载。例如唐代诗人白居易在他的著名诗篇《琵琶行》中非常形象地对琵琶演奏及其音响效果这样的描述:“大弦嘈嘈如急雨,小弦切切如私语。嘈嘈切切错杂弹,大珠小珠落玉盘"。
到了唐代后期,在演奏技法上最突出的改革是由横抱演奏变为竖抱演奏, 由手指直接演奏取代了用拨子演奏。同时它的颈部加宽,下部共鸣箱由宽变窄, 便于左手按下部音位。由于以上这俩项改革,琵琶演奏技法得到了空前的发展。据统计琵琶的指法共有五六十种。归纳起来,右手指法分两个系统: 一、轮指系统,二、弹挑系统。左手指法也分两个系统:一、按指系统, 二、推拉系统。
到了公元二十世纪中后期,琵琶艺术又有了新的发展,在琵琶制作方面,原来用的丝质弦改成了尼龙钢丝弦,有的甚至采用银弦, 加大了琵琶音量和共鸣。在技法上左手大拇指以及和弦的运用使琵琶的表现力再次大大提高。


The pipa - the Chinese lute - is a four-stringed plucked instrument originally designed to be played on horseback, and was introduced by the nomadic races of Central Asia in the Western Han Dynasty (206 BC - 25 AD). Its name came from the two techniques for right-handed strumming: "pi" (leftward) and "pa" (rightward). There are 19 to 26 bamboo frets glued on its soundboard, which together with the 6 upper ledges are arranged as stops. In its original form, the pipa was played horizontally with a large plectrum on silk strings, and often had five strings. In the Tang Dynasty (618 - 907 AD), it became popular to play the pipa vertically or diagonally, with the fingers or fingernails. The five-stringed pipa ceased to be played during the Song Dynasty (960 - 1279 AD).

Most pipa now use steel strings and are played with the fingernails. To avoid damaging the nails, plastic extensions are often taped to the fingers. Because it has a resonant, crisp, clear and enchanting timbre, the pipa is probably the best known among China's many plucked instruments. It also spread to Japan, where it was modified as the biwa. It has a wide range of playing techniques and is used commonly as a solo, ensemble and orchestral instrument.

Shu Yan


EVGRuanRuanFamily 4:06 AM


Evergreen
SecondarySchool

ChineseOrchestra
RuanRuanFamily

Members
No.1 LiPing aka LaoRen(graduate)
No.2 Qixin aka 7Heart
No.3 ShuYan
No.4 LiYan
No.5 HuiYoke
No.6 CindyKek
No.7 Fiona
No.8 Elieen(happily graduate~)
No.9 WanTing
No.10 HuiShan
No.11 JiaoMin
No.12 Sherry
No.13 Yun Yen
No.14 Sin Yee
No.15 Li Qim

Loves
~CO family
-Ruan
-Friends
~praises
dislikes
:getting scolded by instructors
:getting scolded by teacher in charge
:homeworks
:instruments test by LiuYan
:hypocrities
:back stabber
wishes
SYF 2007 Silver
-more Zhong Ruan
-SYF 2009 Gold with Honours or Gold
Teachers-In-Charge
Mdm Tan Kar Choon
Ms Wai Pei Pin
Mdm Norhayati
Ms Tan Wah Sing
Mdm Rose

Instrutors in-charge
Mr ZhanYongMing(conductor&Flute section 管乐-笛子)
Ms Wei(Percussion section 打击乐)
Ms XuWenJing(ErHu section 高/中/二胡)
Mr JinShiYi(SuoNa&Sheng section 管乐-唢呐&笙)
Ms LiuYan(plucked string section 弹拨乐&古筝)
Mr WeiYanMing(yangqin section 扬琴)
Mr PanBaoYue(Cello&DoubleBass 玄乐)

past sweet memories~
  • June 2007
  • July 2007
  • September 2007
  • January 2008
  • February 2008
  • March 2008
  • April 2008
  • May 2008
  • July 2008
  • August 2008
  • September 2008
  • October 2008

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